In the summer of 1995, I watch my father shape two
long pieces of copper into divining rods. He bends
them at the ends with plyers, a brutal and swift act. I
imagine these to look like toy guns. I know better than
to say this out loud, and my father searches for water.
He walks from one end of the driveway to the other,
and I see the rods pull together. My father marks the
spot on the ground to avoid when the machines come
to dig in the following days. I ask my father about the
rods. I need to understand what has just happened.
This is, of course, an impossible thing to answer.
My father says he is “dowsing,” and explains to me
as best as he can. I ask him if the rods must be made
of copper. I ask him how it works. “I’ve used sticks,
too,” he says. “I don’t know how it works. It just does.”
My father shows me one more time, and I watch the spirit
of God flow through his calloused hands and answer him.
Divining is the act of acquiring knowledge by supernatural
means—the rods don’t matter, as long as someone teaches
you to hear the voice of the divine. Water witching is the
occult name for the same act, outlawed by the church, used
by our ancestors to find sources of water for their families.
I hear the spirit of something holy speak through my father,
pointing to water. The sound is like the one I dream of now
frequently—heard late at night, at the peak of winter, when
the snow has fallen hard, the clouds have dissipated, and the
moon shows softly. If you are quiet then, you might hear it.
I am grateful that whatever Appalachian witchcraft my father
inherited also flows through my veins because no matter how
often I’ve tried, the divining rods do not work for me, and I
cannot get that same spirit to work through my hands. I do not
and cannot hear God through the trees, even though late at night,
all I want is to hear the voice of someone who will never die again.
She reaches for warm bread,
butters it and sets it on the table,
crumbs visible on the white cloth.
We share a bottle of a red blend,
something like cab sav and syrah,
cheap and from California.
Miles Davis plays on the record player.
She asks me to stop it. She asks me to
say grace before dinner.
This is the first time she has asked me to pray.
I find myself with the body and blood of Christ
in front of me and no words on my tongue.
Wesley Scott McMasters writes, teaches, and lives in east Tennessee just within sight of the Great Smoky Mountains with his wife, Caroline, and their dog, Poet (who came with the name, they swear). His poetry collection is Trying to Be a Person (Words Dance, 2016).