The sunny wind proves deceptive, dropping
the temperature as quickly
as these October leaves.
A slice of white bread is speared
on the neighbor’s fence and
below it their garden goes feral—
there’s been a death in the family.
A vortex of buzzards are lifting
the last corner of the sky
un-tethered to the forest.
The phone keeps ringing, eager, I suppose,
to give me an update
on how little time there is
before the next big thing.
That catch in my side, the sudden intake
of breath before I speak
should be ignored, a passing moment
like time’s clouds even now
returning with the new weather.
If I had a clean, white shirt I’d wear it
in honor of this day, how it feels
as peculiar as that respite
before my familiar misery
whispers its name once more.
In the middle of the cemetery floated a flat pool
in which stood, perfectly composed, a red-tailed hawk.
I paused, held my ground, nodded hello.
There were tear-drop stars on his white chest
and his fierce beak pointed into this pool
so shallow his fur-feathery leggings
were stirring in the breeze.
I could see just enough to get beyond
and sidestep the usual paths
between retina and cerebrum,
see enough to connect the beyond
with this moment, connect, and so be with
this other creature, be with
him beyond family, genus, and species,
beyond field guide and life-list,
beyond the reach of Google and Wikipedia….
To be with became the superlative all of time,
and so I stood, as did he, and there came
this moment before his great wings opened
and climbed the invisible air into open sky,
a moment when, yes, we both flew . . . beyond.
The pasture goes blue as the dimming sky
pours itself into a placid sea
upon which cunning bovines
ready their silent sails.
The rasping cough the fox drags across the night
must unsettle even these large herbivores.
Below the horizon the day has again buried itself
predictably without any explanations whatsoever.
Owls and crickets have already taken their places,
preparing their evening concert.
Only the cemetery remains nonplussed
by the exchange worked out
between light and dark, its stones
predictable buoys in the shadowy maze
the moon brings to keep the balance.
Marc Harshman’s Woman in Red Anorak (Lynx House Press) won the Blue Lynx Prize. His fourteenth children’s book is Fallingwater: The Building of Frank Lloyd Wright's Masterpiece, co-authored with Anna Smucker (Roaring Brook/Macmillan). His collection Believe What You Can (Vandalia/WVU Press) won the 2016 Weatherford Award from the Appalachian Studies Association. He is co-winner of the 2019 Allen Ginsberg Poetry Award, and his poem “Dispatch from the Mountain State” was printed in the 2020 Thanksgiving edition of The New York Times. Dark Hills of Home (Monongahela Books) came out in 2022 to celebrate Harshman’s 10th anniversary as Poet Laureate of West Virginia. His newest full-length collection of poems is Following the Silence (Press 53).