Four Poems by Leatha Kendrick



First Lamb
Looking at a photograph of the first lamb of the season


The narrow stall recedes like Van Gogh’s room 

in Arles. Where his single bed would be, a ewe, 

well-muscled, dirty white, thrusts into the space 

and stares us down –her flat face a wedge 

between us and a slight, gray-mottled lamb 

nearly hidden in the bedding straw.


Severe and filled with life, the tight expanse 

swells and shrinks as if it breathed,

as if the heat in the ewe’s eye might sear,


as if everything important lay 

within these wooden walls.


*


Old Short Tail


He stood in the dark cube of the stall

at the foot of the ladder to the loft

where I escaped to be with the sky,

in the odor of hay, the warm musk

of living cattle, dusty air

of ground corn feed —this steer 

we called “Short-Tail,” the one

who’d be our hamburger come fall. 


Each time I passed, I spoke to him, 

caressed the broad expanse between his quiet eyes.

I loved the warm furred bone of that wide face, 

sank my fingers into the shallow bowl of it.

What did I say to him? Something

like thank you, though no words could hold 

the covenant we’d entered with this one—

chosen for our table—and I’m sorry

betrayed the dignity of his part 

in what we shared. (None 

of his half-brothers in the herd

were meant to survive, of course, 

but we had less to do, we thought, 

with their dying. We died, too, 


we understood.) I took hold of the ladder’s rungs,

free to lift myself to the hay-strewn floor above.

I swung my legs out the open second-story door, 

dreamed the lowering sun in the silence

of his huffing breath, the small sounds

of his hoofs on the dirt floor. On restless days, 

muffled crashes as he flung his length

against plank walls, used his wide snout 

to flip the water pail 


off its hook. What he wanted

I was not at liberty to give.

At dusk I swung down and 

stroked him goodbye. I stood 

a moment longer than made sense,

walked through unfurling air

to find Mother penned between 

sink and stove, her hair curling, damp

with supper’s steam.

*


Out of the Frying Pan into the Fire

One thing leads to another.  It’s just life.
Our calves went to veal, the cows to steaks,
at least where I grew up, when Mother’s milkshakes,
Daddy’s home-grown burgers made our TV Sunday nights
extra nice before Monday arrived
again. No one would call her a farmwife.
True, she’d spent the first years of her life
on the Illinois farm where her father’s family thrived.
Sent away to a finishing school for girls
destined for more than clapboard, barns and fields,
she ran off to Kentucky. A father wields
less power than he thinks. She chafed at rules.
A lady to the bone, she found her way
straight to love: the four of us and Wonderful
                                                                 World of Color. 

*

Fitting

I don’t recall her kneeling at my feet.
What I remember is the swaying skirt,
the steady stab of pins, the little hurt
intermittent in the hollow meet-
ing of my thigh and calf, back of my knee.

Mother’s mouth is filled with pins. I stand
in her bedroom’s dim square, happy and
afraid in my almost-finished finery—
the yellow dress she’s sewed. The very thing
I craved for my sixth grade graduation.

Rigid, sharp, and thin, I stand in the motion 
of the skirt, her little huffs, the swing
of what pricks the air between us. Years
later, her hands, swollen, needle-stuck,
light as nothing, flutter outward, look-
ing to fit us back, stitch up our fear.

Leatha Kendrick is a poet, writer, editor and teacher. Her poems and essays appear widely in journals including Appalachian Journal, Hood of Bone, Rattle, Tar River Poetry, New Madrid Review, Southern Poetry Review, Appalachian Review, and Baltimore Review. Her writing has been collected in anthologies including Women Speak (vols. 8 & 9); The Kentucky Anthology; The Southern Poetry Anthology, Volume 3 (2nd. ed); I to I: Life Writing by Kentucky Feminists; and What Comes Down to Us – Twenty-Five Contemporary Kentucky Poets. Her fifth book of poetry is And Luckier (Accents Publishing, 2020). She has led workshops in memoir, poetry, fiction, and writing to heal at the Carnegie Center for Literacy and Learning in Lexington, Kentucky, and at colleges and conferences for more than three decades.