That artistic, giant yellow and black garden spider
is a dangerous woman.
When male spiders court her
plucking the edges of her web,
they always have a contingency plan
an escape route
in case she is not flattered
by their careful
advances,
and instead seeks
to kill him
and eat him.
Care must be taken by people, too.
One should speak no name
around her web,
because if she spells it out
with her zigzag weavings,
they say,
that person
will die soon.
Superstitious of disturbing her web,
I have surrendered the far right corner of my garden
to her.
At night, after watering,
I press myself flat
against the house
to pass
as she restrings to snare her evening supper.
I keep my distance,
some cherry tomatoes drop from vine
to the soil
in the corner I cannot reach,
now hers alone.
I think I understand—
though she will die with the first frost
of fall,
after a full summer of webbing
at dusk,
consuming those centers
only to rebuild
each morning
with fresh silk,
she holds on for as long
as she can.
She has an egg sack to protect.
Silken souls
in the thousands
tiny as dust
wrapped up tight
until their spring exodus,
soon to be
writers of creation themselves.
after Medbh McGuckianfrom “To the Nightingale”
Lacy Snapp is a poet and woodworker in East Tennessee. Her first chapbook, Shadows on Wood, was published in 2021 by Finishing Line Press. She teaches American Literature and Composition at East Tennessee State University, runs her business, Luna’s Woodcraft, and serves on the board of the Johnson City Poets Collective and as the 2022 Chair of Programs for the Poetry Society of Tennessee. She is currently an MFA candidate at Vermont College of Fine Arts. Her poetry appears in Women of Appalachia Project’s Women Speak: Volume 6 and Volume 7, Mildred Haun Review, Snapdragon: A Journal of Art and Healing, among others, and is forthcoming in Women Speak: Volume 8.