It was a Wednesday, probably sunny or cloudy. Probably the wind didn’t carve deep. Probably traffic wasn’t fast enough for my parents. Probably the hospital doors weren’t yet automatic, had to be pushed open with a hand or elbow. Probably it was a day like any other machinery, ordinary in its time and turning, except for my arrival and exit, for probably as I entered somebody left—probably not because of me but because that’s how life was and is, these decades now from then.
*
Overhearing My Son’s Bedtime Story
In the next room, I hear each soft—
the pages flipping between fingertips,
and I imagine the anticipation on his face,
his eyes cast to the next brush-stroked bloom:
an ice cream cone and the bear’s curling lips,
that bright tongue with a wisp of drool
winged from its peak. I hear his questions
as she stops, mid-sentence, from describing the
bear’s glowing and watery eyes eager toward
a ring of sugar and fat, to answer him. Her each
word as tedious as the pages, his next questions
blathering and unbidden, tossed between them,
his mind and her mind scattered out like goose
down pillows freed open. And I am, though close,
a world from theirs.
*
Daniel Lassell is the author of Frame Inside a Frame (Texas Review Press, forthcoming 2025) and Spit (Wheelbarrow Books Poetry Prize, 2021). He is also the author of two chapbooks: The Emptying Earth (Madhouse Press, 2023), which was shortlisted for the 2024 Medal Provocateur Award, and Ad Spot (Ethel, 2021). He grew up in Kentucky and lives in Indiana.